Red Garland and Miles Davis had a symbiotic relationship. Red was such an important cog in the Davis quintet as a soloist, interactive accompanist and keeper of the repertory. Being in Miles' group gave Garland the exposure he otherwise would not have gotten. Once Garland's talent as a pianist, with a boundless repository of material in his head, was established, Prestige's Bob Weinstock signed him to a contract as a recording leader in his own right. With his Davis section-mate, Paul Chambers, on bass, and New York drummer Arthur Taylor, Garland formed a trio that met quite often in Rudy Van Gelder's studio. Groovy was the third in Red's trio series for Prestige and it has the usual fine mix of jazz standards, ballad standards, blues ballads and just plain blues.
It is an object lesson in finding and maintaining a groove. Originally released in 1957. Red Garland, piano Kenny Burrell, guitar Paul Chambers, bass Albert 'Tootie' Heath, drums Art Taylor, drums.
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Building telephony systems with opensips pdf editor. It is beneficial for VoIP providers, large enterprises, and universities. This book will also help readers who were using OpenSER but are now confused with the new OpenSIPS. Telephony and Linux experience will be helpful to get the most out of this book but is not essential. Prior knowledge of OpenSIPS is not assumed. Build high-speed and highly scalable telephony systems using OpenSIPS About This Book • Install and configure OpenSIPS to authenticate, route, bill, and monitor VoIP calls • Gain a competitive edge using the most scalable VoIP technology • Discover the latest features of OpenSIPS with practical examples and case studies Who This Book Is For If you want to understand how to build a SIP provider from scratch using OpenSIPS, then this book is ideal for you.
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Port Manteaux churns out silly new words when you feed it an idea or two. Enter a word (or two) above and you'll get back a bunch of created by jamming together words that are conceptually related to your inputs. For example, enter 'giraffe' and you'll get back words like 'gazellephant' and 'gorilldebeest'. Enter 'south america' and 'chess' and you'll get back words like 'checkuador'. Port Manteaux was created by and. It uses the to find related words, and then finds combinations of these words that pair well together phonetically. Note: The algorithm tries reconstruct a spelling for the new word after generating its pronunciation, and sometimes this spelling isn't quite right.
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The 1970s in Nigeria were an age when mighty bands walked the earth. In Lagos, afro-rock stalwarts such as BLO and Monomono ruled the roost; eastwards, it was deeply funky groups like The Funkees, The Apostles and The Friimen. 'Up north you had soulful ensembles such as The Elcados and The Moonrakers. And in the southeast, you had Foundars 15. Foundars 15 were not the only rock band operating in the southern city of Port Harcourt, but they were without question the tightest and most eclectic not just in Port Harcourt but perhaps in Nigeria as a whole. Formed initially as an army band in the wake of the Nigerian civil war of 1967-1970, Foundars 15 released a string of singles in the early seventies, followed by four albums of heavy, jittery funk-rock between 1976 and 1978 before splitting up to pursue solo careers. 1977’s Fire Woman is perhaps the finest (and rarest) of Foundars 15’s albums, offering a spicy buffet of groovy pop, reggae, native rock and dense, off-kilter funk.
Long sought after by aficionados, Fire Woman has been an LP that is more often heard about than actually heard. That is about to change. Comb & Razor Sound is proud to present a new, fully-authorized reissue of Fire Woman, featuring eight crucial cuts representing the gold standard of the golden age of Nigerian pop music. Here’s your chance to catch the fire!' Tracklist: 01. Foundars 15 - Fire Woman 02.
Foundars 15 - The Truth (Shall Save Us) 03. Foundars 15 - True Light 04. Foundars 15 - Youre The One 05. Foundars 15 - Take Me Home 06. Foundars 15 - Simin Boogie 07. Foundars 15 - Don't Take Me For A Ride 08.
Foundars 15 - Ekele.
Red Garland and Miles Davis had a symbiotic relationship. 1099 forms. Red was such an important cog in the Davis quintet as a soloist, interactive accompanist, and keeper of the repertory.
![]() Red Garland DiscographyAhmad Jamal
Being in Miles' group gave Garland the exposure he otherwise would not have gotten. Once Garland's talent as a pianist, with a boundless repository of material in his head, was established, Prestige's Bob Weinstock signed him to a contract as a recording leader in his own right. With his Davis section-mate, Paul Chambers, on bass, and New York drummer Arthur Taylor, Garland forned a trio that met quite often in rudy Van Gelder's studio. Groovy was the third in Red's trio series for Prestige and it has the usual fine mix of jazz standards, ballad standards, blues ballads, and just plain blues. It is an object lesson in finding and maintaining a groove.
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